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. . . because a nation capable of producing a genius like this is worth defending against all its enemies, foreign and domestic. Click on the image to enlarge.
For the flag and American womanhood!
. . . because a nation founded on this document is worth saving, worth defending against an army of arrogant tyrants like Barack Obama Click on the image to enlarge.
. . . because others fought for the liberties guaranteed to us by the Constitution, now under sustained attack by Barack Obama. America is worth saving. Click on the image to enlarge.
We ask, “Why would a young man from a materially comfortable home walk into a school and murder 20 children?” The better question might be, “Why don’t more young men do it?” More young men who don’t know what it … Continue reading
Why can’t Michelle Obama be President instead of Barack? I would feel so much better about the state of the Union if she were. Also, America deserves, at long last, a President who can wear a beautiful, stylish dress and … Continue reading
This is the best book ever written on the Old West. I’m tempted to say the best book ever edited on the Old West, because it consists primarily of contemporary documents, mostly newspaper reports but also letters and court transcripts … Continue reading
Harold Lloyd's Why Worry? (from 1923) is an almost perfect film. Its scale is relatively small compared to the films that bracket it in the Lloyd canon, with a more modest action finale. It lacks the breathtaking spectacle of the … Continue reading
This is an earnest, reasonably well-directed film with a clumsily structured script. It jumps around between different periods of J. Edgar Hoover’s life so often that it never manages to create any momentum in the story it’s trying to tell, … Continue reading
[Warning -- SPOILERS below . . .] I saw this film when it came out in 1971. I was 21 then and didn’t like it much. I was a film purist and was annoyed by all the zooms and telephoto … Continue reading
The great cinematographer Gordon Willis (above) didn’t like zooms in general and especially not in period films. He and Coppola agreed early on they they wouldn’t use zooms for The Godfather. There is, however, one obvious zoom in the movie, … Continue reading
The 2007 remake of 3:10 To Yuma had a very strong opening weekend, topping the box office with grosses around 14 million dollars. There were obviously a lot of people eager to see a remake of the classic Western. Then … Continue reading
This is a very curious film — a love song to the French New Wave, and to the films of François Truffaut in particular, but to a phase of Truffaut’s work which is not much celebrated today, the phase in … Continue reading