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Main Page  »  Food
View Article  NO LIMIT


My friend John Sosnovsky was just in town and brought as a gift a copy of Just Enough Liebling, a collection of A. J. Liebling's writing about food, boxing and war.  In one of the articles about food Liebling offers an extended paean to Tavel, the rosé wine from the
Rhône region of France.  It brought back many memories.  Tavel is a wine often served in the South Of France with seafood (although Liebling insists it's so good it can go with anything) and I've drunk it with many fine meals in that part of the world, usually in restaurants or on the terraces of restaurants with a view of the sea.



On John's last night in Vegas I tracked him down in the card room at Caesars around 9pm.  He'd been playing poker all day, with mixed results, and said he was pokered out, so we decided to meet at Mon Ami Gabi, a terrific French bistro in the Paris, Las Vegas casino.  Once installed on its very pleasant terrace I discovered that they had a Tavel on their wine list, and John and I decided to drink a bottle in honor of Mr. Liebling.  And we decided to drink it with steak, to test Mr. Liebling's assertion that it can go with anything.



It went exceptionally well with the steak, with the brisk night air and with our conversation, which kept circling back to the upcoming fight between Ricky Hatton and Floyd Mayweather, Jr. next Saturday in Las Vegas.  John is a member of the Fancy and very knowledgeable about boxing, but even he seemed baffled by the question of who was likely to prevail in this contest -- Hatton, the brawler with heart, or Mayweather, the scientist with lightning-fast but hardly lethal hands and canny instincts for defense (or unseemly evasion, as some consider it.)

The best we could surmise was that Hatton had a chance only if he got inside and ripped Mayweather apart with body shots, shocking him and breaking his will.  That didn't seem likely, but it seemed possible.  Such imponderables are what have made this fight one of the most anticipated in ages.  Mr. Liebling, long since deceased, would have had much to say on the subject and we missed his wisdom keenly.



After the Tavel and the beef, John decided that perhaps he wasn't pokered out after all.  We set off to see what tables might be going in the Paris' card room.

The night before, at the Palms, John had cajoled me into sitting down at my first no-limit Hold-'em game in a casino.  (I'd played a few hands at a no-limit game in the old card room at the Rancho Fiesta, but it had broken up almost as soon as I arrived at the table.)  I was terrified of playing at the Palms -- not least because Phil Helmuth (below, playing in a tournament) and Layne Flack, two high-profile high-limit poker pros, were hanging around my table to watch a couple of their friends play.  It's tough to make your debut at a no-limit table under the eyes of a winner of the Main Event at the World Series Of Poker.  (Helmuth won it in 1989 at the age of 24, the youngest player who's ever done so.)



No limit Hold-'em is intrinsically terrifying.  Any amount of money can be bet on a hand at any time, which means you can lose every chip in front of you if you call an "all-in" bet with the wrong cards in the wrong situation.  On the other hand, you can use big bets to push your fellow players around -- to make them fold better cards than you have, for example.  It's a wild and exceedingly complex endeavor.

Miraculously, as soon as I sat down at the table I felt cool and perfectly in command of things.  I've played endless hands of no-limit poker for fake money online and I understand the dynamics of the game -- far better than I've ever understood the dynamics of limit Hold-'em, where you can bet only certain fixed amounts.   I've always played limit Hold-em because it seemed on the face of it less risky.  No-limit Hold-'em for money, however, is a far more logical game, far less dependent on the random fall of the cards, though the logic is sometimes the logic of ruthlessness and terror.

I played for three or four hours in this heady atmosphere and walked away about a hundred dollars
down.  Not good -- but not devastating, either.  You can pay more for a good meal or a rock concert and not enjoy either half as much or for half as long.



There were no poker pros hanging around the Paris' card room (above) -- just a lot of genial players who seemed like people on vacation looking for a good time . . . and to say they'd played poker in Las Vegas.  They weren't bad players but they played too many hands, eager for action.  I waited for my chances, bet hard when they came and walked away three hundred and thirty dollars ahead --
by far the most money I've ever won at any poker table.  More importantly, it left me over two hundred dollars ahead for my first two nights of no-limit poker. 

John did even better, walking away over seven hundred dollars ahead -- covering the cost of all his poker playing in Las Vegas and his hotel room and his flight here, with a little left over for celebratory drinks afterwards.  To say that we raised our glasses joyfully would be putting it mildly.

[The snapshot of the Paris poker room above is from a useful web site, vegasrex, which describes and reviews the various card rooms in Las Vegas and has a lot of other stuff about what's going on in town.]
View Article  PARIS


I have no memory whatsoever of my first view of Paris -- what I must have seen of it on a cab ride from the airport to my Left Bank hotel in the winter of 1983.  I have a vague memory of the view from the hotel room, a charming chamber up under the eaves of a small, venerable and recently refurbished establishment near the École des Beaux Arts.  I looked out over the rooftops of Paris, which reminded me of Paris in the movies, but I'm not sure what else I saw, besides possibilities.

I arrived at the hotel late at night but my companion, who'd been to Paris before, knew a restaurant that was open 24/7, one she was fond of, and we went there.  It was at the edge of Les Halles, the site of the legendary produce market.  The market had long since been moved to the outskirts of Paris and was then just a ghost of itself, but the restaurant, Au Pied de Cochon,
which had been there in the glory days of Les Halles, remained.  It opened in 1946 and has not closed its doors since.  Once, obviously, it served the all-night workers and truckers of Les Halles when it was a functioning market but people still made their way to it at all hours of the night.  There was a small crowd there when we arrived sometime after midnight.  I had a sense that many of them were musicians grabbing some food after an evening's gig, though I'm not sure at this remove what made me think so.  Perhaps one of them was carrying an instrument in a case.  Perhaps one of them pulled out a guitar and sang some snatches of a song.



The restaurant was rather plain in those days, even shabby, reflecting its original working-class milieu.  It has been remodeled at least a couple of times since then -- it has an unfortunate faux-Belle Époque décor now (see above) but still isn't particularly fancy.  It specializes, as its name suggests, in pig's feet and other rustic fare, and also in shellfish, which seems to be de rigeur for all-night restaurants in Paris.

It had a wide selection of raw oysters, and I ordered a dozen Belons, the small, tangy oysters of the Breton coast that have a considerable reputation.  When the round tray of them arrived at the table, they created my first intense visual memory of Paris.  The opened oysters and some cut lemons were nestled on a bed of ice decorated with sprigs of seaweed.  The tray was placed on a wire rack directly in front of me, giving me a good view of and easy access to the oysters.  On a plate in a holder built into the wire rack beneath the tray was a
small bowl of red wine vinegar and finely chopped onions, some slices of brown bread and some butter.  The oysters in the picture below are not Belons -- I offer it just to show the general set-up.



I revere oysters extravagantly.  To see them served in such an exalted way stirred my deepest admiration.  (I had never seen such a presentation in an American restaurant, though now it's fairly common in upscale French eateries.)  They were the tastiest, most mysterious oysters I had ever eaten.  I ordered twelve more.

Several times in the preceding few hours I had thought to myself, "I'm in Paris!"  But I didn't quite believe it.  Halfway through the second tray of oysters, I believed it.

Next February, it will no longer be possible to smoke in Parisian restaurants, so I will most likely never go back to Au Pied de Cochon.  This is not altogether a bad thing.  The places you love that you can never return to are also places you can never leave.  They become part of your own small portion of eternity.