
- Jenny kissed me when we met,
- Jumping from the chair she sat in.
- Time, you thief! who love to get
- Sweets into your list, put that in.
- Say I'm weary, say I'm sad;
- Say that health and wealth have missed me;
- Say I'm growing old, but add --
- Jenny kissed me!
My heart is like a singing birdSuch directness of feeling did survive in the popular arts, in pop songs and in the movies -- any place where the arbiters of high culture had no influence.
Whose nest is in a watered shoot;
My heart is like an apple tree
Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
That paddles in a purple sea;
My heart is gladder than all these
Because my love is come to me.
Most improbably, Orson Welles recited Rondeau at the close of a pilot for a TV talk show he made towards the end of his life (which wasn't picked up.) Welles was an unregenerate Victorian, which was a source of much of his secret power, and almost all of his films deal with loss, with the memory of some sweet, unrecoverable moment in time that haunts the present . . . a characteristic Victorian theme.
Rosebud, Mr. Bernstein's girl on the ferry, the Amberson's ball, a long-past love affair with the Baroness Nagel in Warsaw, the chimes at midnight . . . all these are one with Jenny's kiss.
Leigh Hunt wrote, "Every one should plant a tree who can. It is one of the cheapest . . . as well as easiest, of all tasks." Trees, said Hunt, "are green footsteps of our existence, which show that we have not lived in vain."
Rondeau is such a tree.