The title of this painting is Unconscious Rivals,
implying a narrative content that isn’t really apparent in the work
itself but suggesting how Alma-Tadema’s imagination worked.  He
wanted to present the ancient world as brand new, almost
photographically convincing in visual terms, and to people it with
humans exactly like ourselves, as opposed to classical emblems of
virtue or vice.  In this he was following the classical style more
closely than some of his neo-classical peers in 19th-Century art.
Even when Greek sculptors in antiquity were depicting mythological
beings, they always endowed them with an essential humanity just as
vital as their symbolic personae.

The play of light in this painting is magical yet perfectly naturalistic, and I
love the way Alma-Tadema has obscured our view of the distant sea,
which only makes us look deeper into the space of the painting to
register it.  It also makes us imagine walking up to the railing
for a better view — drawing us into the foreground space as we imagine
navigating it.


  1. Thanks to you I have wasted 45 minutes of my time looking through Alma-Tadema paintings at artrenewal. (seriously, thanks!)
    I see this as kind of a joke painting, with lots of random icons of beauty thrown in, of little relation to one another. How do you compare sculpture with a beautiful women? Or a flower? It also is an artistic question: what should he be portraying in his spare time?
    good point about the sea. there is so much of that in his other paintings as well.

  2. Yes, you're right — there's a lot of wit in this painting . . . it's much more than a simple genre piece.
    The ARC website is indeed a dangerous place to visit — I tend to spend at least 45 minutes every time I go there! It's filled with wonders . . .

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