This sculpture by Michelangelo now sits in the Church Of Our Lady in Bruges. Completed shortly before the sculptor’s more famous Pietà, it was the only one of his carvings which left Italy during his lifetime.

Private Lincoln Kirstein (above) and a colonel he was serving under found it crated up in a salt mine in Austria in 1945. They were working in the Arts & Monuments unit of Patton’s Third Army, charged with preventing the destruction of important works of art and recovering art stolen by the Nazis within Patton’s area of operations.  They had tracked it down through a tip from a captured SS officer.

There was a lot of other looted art in the mine, including Jan Van Eyck’s Altarpiece Of Ghent, all of it collected for the Führer Mother Museum which Hitler planned to build in Linz in honor of his mom.

Imagine prying open crates in a dark mine and seeing stuff like that revealed in the beams of two government-issue flashlights.

Kirstein was decorated by the government of Belgium after the war for rescuing two of that nation’s greatest treasures.  Within months of his discharge from the army in 1946 he and George Balanchine founded Ballet Society, which became The New York City Ballet.

2 thoughts on “MADONNA AND CHILD

  1. You’re the guy who told me about Kirstein’s Quarry: A Collection in Lieu of Memoirs, a book I keep on display in my study and love to lose myself in from time to time. How did you like Duberman’s biography? Fidelma Cadmus is for me another person of mystery and fascination. From what I can tell, she knew her share of tragedy.

  2. Hey, Ken — haven’t read the Duberman biography. Fildelma was indeed a tragic character — went mad at the end of her life. Kirstein stuck by her and went to visit her where she was institutionalized every weekend of his life until she died.

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