Forty years ago my friend Cotty Chubb and I, on our way to the Hebrides, were caught in a storm on the Isle Of Skye which grounded the ferries to the distant islands.  We tried to wait it out in a small bed and breakfast on Skye, in whose parlor the proprietress played us The Skye Boat Song on a piano.  She wanted us to understand where we were, what momentous things had once happened on Skye.


Bonnie Prince Charlie, Stuart pretender to the throne of England, had escaped to Skye after the Battle of Colloden in 1746, in which his forces had been decisively defeated by the English, ending forever hopes of supplanting the Hanoverian line of English monarchs with the Stuart, and subordinating Scotland to English rule.


The daring escape became a romantic consolation for the defeat, which continues to rankle the Scottish soul.  Most Scots did not support Charlie’s uprising, considering it hopeless, but in retrospect he became a symbol of Scottish identity.  The longing for what might have been underlies the move for Scottish independence, which will be voted on this Thursday.

The storm on Skye didn’t abate, and Cotty and I gave up on visiting the Hebrides, but The Skye Boat Song stayed with me, as it has stayed with the Scots.  The wistful romance of it may be decisive in the upcoming vote.


Ringo Starr said he had no particular interest in music until he heard, around the age of seven, Gene Autry singing this song in a movie.  It left him with a lifelong love of Country and Western music, and he called Autry the most significant musical force in his life.


The clip at the head of this post is probably the scene he was referring to, from South Of the Border, 1939, though Ringo would have to have seen a reissue of it sometime after WWII.  Discussing it in 1976, he misremembered its details — he thought Autry had slung his leg over the horn of his saddle when singing the song — but he described it as his “first musical experience”, one that had stuck in his brain ever since.


He added that his bedroom was covered with Gene Autry posters.



This double-LP set consists of excerpts from the film’s soundtrack complete with effects and dialogue.  Not the best presentation of the musical score but a fascinating way to study the audio mix of the film, which is very complex and inventive.  The sound effects and the dialogue and the score and the occasional rock songs were all integrated into a seamless “musical” tapestry.

Click on the image to enlarge.



This is the live album, Before the Flood, culled from Bob Dylan’s 1974 tour with The Band.  The tour doesn’t have a high reputation among Dylan fans, musically speaking — for some reason Dylan decided to spit out all the lyrics angrily, which bothered many people — but I saw three concerts on the tour and found them electrifying.

Click on the image to enlarge.



Doug Sahm died much too young but he left behind the best border beer joint dance music of all time.

This album, The Return Of Wayne Douglas, a mix of covers and original songs, was his last.  The lyrics of the originals are not always as sharp as Sahm at his best but the music, country-tinged Tejano, is uniformly wonderful.

Click on the image to enlarge.