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Author Archives: Lloydville
SEXY, NOT SEXY
OVERLAND STAGE RAIDERS
Loving B-Westerns is a kind of disease, and probably incurable. It’s not the worst malady in the world to suffer from, however — B-Westerns have a good deal of redeeming aesthetic value.
The acting in them is often indifferent, the plots are a messy combination of the formulaic and the preposterous, but they’re usually shot brilliantly in beautiful locations and feature extended episodes of superb horsemanship.
What this means is that B-Westerns yield up their treasures best in first-rate prints — although they’re usually available only in really terrible prints. Hence my praise for Olive Films, which is issuing a series of B-Westerns in excellent Blu-ray editions, which allow one to savor the virtuosity of the horsebackers, the cameramen and the directors who made these delightful genre pieces.
A case in point is the Olive Blu-ray edition of Overland Stage Raiders, a film that’s interesting on several counts. It’s from Republic’s Three Mesquiteers series, from the time, in the late 1930s, when John Wayne was playing one of the mesquiteers. It also features Louise Brooks in her last screen appearance as Wayne’s romantic interest. She’s fascinating as always, mainly for her reserve and distance. She doesn’t seem unhappy to be appearing in such a film — she just doesn’t seem to be all there.
Sadly, she never gets to ride a horse in Overland Stage Raiders, which is a modern-day Western about a bus-line and an airline competing for business in a remote Western region.
The mesquiteers do a lot of horseback riding, of course, protecting the good guys and rounding up the bad ones. Silly as the story is, the film is mesmerizing visually — simply thrilling to watch in the Blu-ray edition.
The Olive Blu-ray Westerns are overpriced, but if you suffer from the B-Western malady, you’ll pay up and like it.
SWAY
Sway me smooth, sway me now — you know how . . .
VENICE
PUT YOUR HEAD ON MY SHOULDER
WHAT I’M SPINNING NOW
RED SWEATER
ESSENTIAL
Forty years (!) after its release, after a deluge of explicit pornography has washed across and nearly drowned our culture, this film has lost its capacity to shock as it once shocked, with its sexual frankness embedded a well-made film starring a Hollywood icon.
What still startles and unsettles is the emotional nakedness of the performances by Brando and Schneider, the conceptual daring of Bertollucci, questioning the very possibility of portraying an authentic and humane erotic love in movies . . . assuming such a thing is even possible anymore in real life, perverted as real life has become by the diseased clichés of movies.
It’s one of the most interesting, not to mention one of the greatest, films ever made, and one of the most beautifully shot — which is why it joins that list of films which justify buying a Blu-ray player just to be able to watch it in that format.
THE QUIET MAN
I GOTTA KNOW
AN LP COVER FOR TODAY
OBAMA PLEDGES NOT TO KILL ANY CHILDREN FOR THREE DAYS
In an emotional news conference, sharing the stage with children who had written in to him about their fears concerning guns, President Obama announced a sweeping plan to curb gun violence in America.
To demonstrate his commitment to this issue, Obama has pledged not to kill any children in the Middle East with drones for 72 hours. “He’s just not going to do it,” said White House Press Secretary Jay Carney, “even if the children are playing in the vicinity of a high-value target.”
Critics have pointed out that since the details of drone attacks are classified, there will be no way of knowing for sure whether or not the President keeps his pledge not to kill any children for three days — the President’s supporters insist, however, that “it’s the thought that counts”.


















