This sculpture by Michelangelo now sits in the Church Of Our Lady in Bruges. Completed shortly before the sculptor’s more famous Pietà, it was the only one of his carvings which left Italy during his lifetime.

Private Lincoln Kirstein (above) and a colonel he was serving under found it crated up in a salt mine in Austria in 1945. They were working in the Arts & Monuments unit of Patton’s Third Army, charged with preventing the destruction of important works of art and recovering art stolen by the Nazis within Patton’s area of operations.  They had tracked it down through a tip from a captured SS officer.

There was a lot of other looted art in the mine, including Jan Van Eyck’s Altarpiece Of Ghent, all of it collected for the Führer Mother Museum which Hitler planned to build in Linz in honor of his mom.

Imagine prying open crates in a dark mine and seeing stuff like that revealed in the beams of two government-issue flashlights.

Kirstein was decorated by the government of Belgium after the war for rescuing two of that nation’s greatest treasures.  Within months of his discharge from the army in 1946 he and George Balanchine founded Ballet Society, which became The New York City Ballet.


A while back I ran a section of the above photo as a banner on the site, and identified it as one of Ben Johnson competing in a rodeo before he entered movies. In fact, it’s a picture of Ben’s father, a noted rodeo champion in his day. Thanks to Paula Vitaris, expert on all things Ben Johnson, for this info, who also notes that Ben, Jr. didn’t start entering rodeos until after he’d worked in the movies and had money for the entrance fees. She further notes that he remains (and I’m sure will always remain) the only man to win both a rodeo world championship and an Oscar.

You can find Paula’s excellent Ben Johnson site here.